Why Museum Fremen
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Re: Why Museum Fremen
I always assumed it was more of a literary device directed towards the reader more than something important to the plot itself. We see the greatest warriors in the universe reduced to a very committed puppet show. Everything they were and how important they seemed in the first books and now they are nothing.
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Re: Why Museum Fremen
Chapter 18 in Children of Dune reminds me of the museum Fremen (somehow). It's the one right after Leto shocks Stilgar by saying how beautiful the young women are this year. Then Stilgar goes on to think about how the old Imperium had suppressed all sense of creativity and progress, how the Fremen Sietch culture suppressed those things, and how Alia was attempting to suppress those things with the priesthood.
I still don't understand the purpose of the museum Fremen, but I think it might be part of the pattern. "Helpless people for whom there was no succor."
I'm in the middle of CoD right now, so this post is kind of here as a reminder to myself to pay more attention to how the things laid out in CoD come together with what happens in GEoD (if that makes any sense).
I still don't understand the purpose of the museum Fremen, but I think it might be part of the pattern. "Helpless people for whom there was no succor."
I'm in the middle of CoD right now, so this post is kind of here as a reminder to myself to pay more attention to how the things laid out in CoD come together with what happens in GEoD (if that makes any sense).
As an online discussion grows longer, the probability of a comparison involving Hypatia approaches one.
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Re: Why Museum Fremen
This is an interesting question, for which I unfortunately had little new to add to. My initial thought was the same as some others here: That Leto knew he would eventually return to the desert and re-start the "Dune" cycle of the planet, so he wanted to keep the Fremen traditions alive for the future inhabitants.
This is a very interesting thought as to FH's motivation. I remember the first time reading through GEoD, this had a very profound impact on me. It made me feel disoriented, and I think it unfortunately, to some degree, soured me on the novel the first time I read it through.A Thing of Eternity wrote: I think it's pretty safe to bet that FH put them there specifically to hurt the reader and to teach them a lesson about stagnation and impermanance.
- Freakzilla
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Re: Why Museum Fremen
It's anti-dune. It's not what you fell in love with the series for.FreeParking wrote:This is an interesting question, for which I unfortunately had little new to add to. My initial thought was the same as some others here: That Leto knew he would eventually return to the desert and re-start the "Dune" cycle of the planet, so he wanted to keep the Fremen traditions alive for the future inhabitants.
This is a very interesting thought as to FH's motivation. I remember the first time reading through GEoD, this had a very profound impact on me. It made me feel disoriented, and I think it unfortunately, to some degree, soured me on the novel the first time I read it through.A Thing of Eternity wrote: I think it's pretty safe to bet that FH put them there specifically to hurt the reader and to teach them a lesson about stagnation and impermanance.
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Re: Why Museum Fremen
And that is precisely why it is so DuneFreakzilla wrote:It's anti-dune. It's not what you fell in love with the series for.
![Smile :)](./images/smilies/icon/smile.gif)
Because it applies its own lessons to itself.
A paradox that many find confusing.
Spice is the worm's gonads.
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Re: Why Museum Fremen
Do the museum fremen dance?
FH loves his dances. It's mentioned in CoD a bit, and then again in Heretics, but left out of GEoD. At least a detailed analysis of it.
FH loves his dances. It's mentioned in CoD a bit, and then again in Heretics, but left out of GEoD. At least a detailed analysis of it.
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Re: Why Museum Fremen
For a clue to my role as outsider, look at the arts of my time. Thepcqypcqy wrote:Do the museum fremen dance?
FH loves his dances. It's mentioned in CoD a bit, and then again in Heretics, but left out of GEoD. At least a detailed analysis of it.
arts are barbaric. The favorite poetry? The Epic. The popular dramatic ideal?
Heroism. Dances? Wildly abandoned. From Moneo's viewpoint, he is correct in
describing this as dangerous.
The Fish Speakers danced, though. In the privacy of their quarters and on the bridge just before Leto's assassination.
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Re: Why Museum Fremen
I don't think he was saying that they have abandoned dance. I think he is saying that the character of the dances that they now do is wild, and appears to "abandon" social graces. He's saying that culturally they have regressed, and the dances that they do are crazy, tribal, and that the dancers have abandoned their senses.Freakzilla wrote:For a clue to my role as outsider, look at the arts of my time. Thepcqypcqy wrote:Do the museum fremen dance?
FH loves his dances. It's mentioned in CoD a bit, and then again in Heretics, but left out of GEoD. At least a detailed analysis of it.
arts are barbaric. The favorite poetry? The Epic. The popular dramatic ideal?
Heroism. Dances? Wildly abandoned. From Moneo's viewpoint, he is correct in
describing this as dangerous.
The Fish Speakers danced, though. In the privacy of their quarters and on the bridge just before Leto's assassination.
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Re: Why Museum Fremen
I think part of the problem he's pointing out in these art forms isn't merely that they're dangerous (from Moneo's point of view) because they're primitive and wild, but specifically because they all point towards worship of great leaders. The epic form and hero worship he describes is illustrative of people who want to look up to someone greater than themselves and idolize him, while the wild dances perhaps suggest a kind of emotional abandon that is easily subject to manipulation. The Fremen in Dune aren't portrayed as dancers in the literal sense, but they do have that frenzied mindset of being easily whipped into action when provoked, as Paul and Jessica took full advantage of. It made them easy to lead, so long as the leader did exactly what they wanted. Since Leto II is the prototype of the 'great leader' who all may worship, it stands to reason his followers would be of that wild disposition.
I'm also reminded of Sheeana's dance when I think about the quote Freak provided, as she seems to be able to communicate with the worms using that primal energy but without being a fanatic herself. I had understood previously that what Sheeana was able to do was to communicate with that animalistic side of Leto that he called the worm, but now that I think of it part of why the worms may have reacted positively to her dances and commands was because it was the language of Siaynoq that the worms instinctively remembered from the Fish Speakers. What I'm now wondering is whether Siaynoq wasn't just as much about training Leto as about training his Fish Speakers. Having participated in it so many times he, himself would have its lesson in his bones and would respond to it down the line when someone like Sheena came along.
And then there's this line is Heretics which I never quite understood:
I'm also reminded of Sheeana's dance when I think about the quote Freak provided, as she seems to be able to communicate with the worms using that primal energy but without being a fanatic herself. I had understood previously that what Sheeana was able to do was to communicate with that animalistic side of Leto that he called the worm, but now that I think of it part of why the worms may have reacted positively to her dances and commands was because it was the language of Siaynoq that the worms instinctively remembered from the Fish Speakers. What I'm now wondering is whether Siaynoq wasn't just as much about training Leto as about training his Fish Speakers. Having participated in it so many times he, himself would have its lesson in his bones and would respond to it down the line when someone like Sheena came along.
And then there's this line is Heretics which I never quite understood:
There's some connection between the frenzied dance, sexuality, and the fact of the Honored Matres becoming from they did as they descended from Fish Speakers and RM's. Might we suggest that the HM's turned Siaynoq itself into the sexual enslavement? And if so, did Leto inculcate the desire to do this into them deliberately? What aim might he have in sending people into the Scattering with the instinct to form powerful sexual bonds such as they learned through Siaynoq? Or maybe he intended them to learn something better but they learned the wrong lesson from it.Siaynoq become a sexual grip on uncounted billions in the Scattering!
"um-m-m-ah-h-h-hm-m-m-m!"
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Re: Why Museum Fremen
Maybe the Fish Speakers experience some kind of near sexual ecstasy during the ritual and that became a perversion of the BG imprinter training?
I don't think Leto planned this, he just wanted "infinite" humanity.
Back to the question of do Museum Fremen dance, I don't think there was any examples of them dancing in GEoD but I do recall references of the Fremen Dancing and they were supposed to preserve their ancient ways, so...
Unrelated... Leto also mentions the Hula in GEoD.
I don't think Leto planned this, he just wanted "infinite" humanity.
Back to the question of do Museum Fremen dance, I don't think there was any examples of them dancing in GEoD but I do recall references of the Fremen Dancing and they were supposed to preserve their ancient ways, so...
Unrelated... Leto also mentions the Hula in GEoD.
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Re: Why Museum Fremen
I agree that he didn't plan out the future. But he surely knew that training the Fish Speakers in this way would have some effect down the line. I think he was interested in teaching as well as saving Humanity, and I see something noteworthy in the lessons of Siaynoq. There's something in there about belonging to someone and having them belong to you as I feel Leto and the Fish Speakers belonged to each other in a way. It doesn't come across to me as him being the master and they're his slaves; more like a joined bond that can't be broken. I think this is part of what Frank was alluding to in the Duncan/Murbella bond, and I guess I suspect that Siaynoq was going to be relevant in Dune 7 in terms of their bonded connection. What I meant by saying Leto intended a lesson but the HM's learned the wrong one might be that they took the idea of being bonded to someone and turned it into a weapon. And yeah, like you say, probably used the RM imprinter training to try to (incorrectly) reproduce what Leto had done with them.Freakzilla wrote:Maybe the Fish Speakers experience some kind of near sexual ecstasy during the ritual and that became a perversion of the BG imprinter training?
I don't think Leto planned this, he just wanted "infinite" humanity.
"um-m-m-ah-h-h-hm-m-m-m!"
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Re: Why Museum Fremen
Freakzilla wrote:Maybe the Fish Speakers experience some kind of near sexual ecstasy during the ritual and that became a perversion of the BG imprinter training?
I don't think Leto planned this, he just wanted "infinite" humanity.
Back to the question of do Museum Fremen dance, I don't think there was any examples of them dancing in GEoD but I do recall references of the Fremen Dancing and they were supposed to preserve their ancient ways, so...
Unrelated... Leto also mentions the Hula in GEoD.
Your earlier quote was in my mind but I couldn't find it.
Also when Duncan and Siona arrive in Tuono, Garun (the "Naib") offers to demonstrate Fremen rituals or dances. So presumably they have preserved this, it just doesn't get much of a mention.
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Re: Why Museum Fremen
"Are you aware," he asked his imaginary visitor that the hula preserves an ancient sign language
which once belonged only to males? You've never heard of the hula'' Of course. Who dances it
anymore? Dancers have preserved many things, though. The translations have been lost, but I know
them.
...
"What does that song mean?" he asked.
"Oh. It's . . . it's just a song."
"Siona!"
She heard anger in his voice and remained silent.
"This planet is the child of the worm," he warned her, "and I am that worm."
She responded with a surprising insouciance: "Then tell me what it means."
"The insect has no more freedom from its hive than we have freedom from our past," he said. "The
caves are there and all of the messages written in the sprays of the torrents."
"I prefer dancing songs," she said.
It was a flippant answer, but Leto chose to take it as a change of subject. He told her about the
marriage dance of
Fremen women, tracing the steps back to the whirling of dust devils. Leto prided himself on
telling a good story. It was clear from her rapt attention that she could see the women whirling
before her inner eye, long black hair thrown in the ancient movements, straggling across long-dead
faces.
...
Garun addressed himself to Siona, correctly identifying the gold piping of Fish Speaker Command in
her uniform.
"Will you wish a performance of our Fremen rituals?" he asked. "The music, perhaps? The dance?"
which once belonged only to males? You've never heard of the hula'' Of course. Who dances it
anymore? Dancers have preserved many things, though. The translations have been lost, but I know
them.
...
"What does that song mean?" he asked.
"Oh. It's . . . it's just a song."
"Siona!"
She heard anger in his voice and remained silent.
"This planet is the child of the worm," he warned her, "and I am that worm."
She responded with a surprising insouciance: "Then tell me what it means."
"The insect has no more freedom from its hive than we have freedom from our past," he said. "The
caves are there and all of the messages written in the sprays of the torrents."
"I prefer dancing songs," she said.
It was a flippant answer, but Leto chose to take it as a change of subject. He told her about the
marriage dance of
Fremen women, tracing the steps back to the whirling of dust devils. Leto prided himself on
telling a good story. It was clear from her rapt attention that she could see the women whirling
before her inner eye, long black hair thrown in the ancient movements, straggling across long-dead
faces.
...
Garun addressed himself to Siona, correctly identifying the gold piping of Fish Speaker Command in
her uniform.
"Will you wish a performance of our Fremen rituals?" he asked. "The music, perhaps? The dance?"
Paul of Dune was so bad it gave me a seizure that dislocated both of my shoulders and prolapsed my anus.
~Pink Snowman
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Re: Why Museum Fremen
The Fish Speakers were his brides... funny that they aligned with the Ixians afterwards.georgiedenbro wrote:I agree that he didn't plan out the future. But he surely knew that training the Fish Speakers in this way would have some effect down the line. I think he was interested in teaching as well as saving Humanity, and I see something noteworthy in the lessons of Siaynoq. There's something in there about belonging to someone and having them belong to you as I feel Leto and the Fish Speakers belonged to each other in a way. It doesn't come across to me as him being the master and they're his slaves; more like a joined bond that can't be broken. I think this is part of what Frank was alluding to in the Duncan/Murbella bond, and I guess I suspect that Siaynoq was going to be relevant in Dune 7 in terms of their bonded connection. What I meant by saying Leto intended a lesson but the HM's learned the wrong one might be that they took the idea of being bonded to someone and turned it into a weapon. And yeah, like you say, probably used the RM imprinter training to try to (incorrectly) reproduce what Leto had done with them.Freakzilla wrote:Maybe the Fish Speakers experience some kind of near sexual ecstasy during the ritual and that became a perversion of the BG imprinter training?
I don't think Leto planned this, he just wanted "infinite" humanity.
![Wink :wink:](./images/smilies/icon/wink.gif)
Paul of Dune was so bad it gave me a seizure that dislocated both of my shoulders and prolapsed my anus.
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Re: Why Museum Fremen
movements often become married to the traditions which created them at the expense of the objective theyre formation was intended to forward
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Re: Why Museum Fremen
The Museum Fremen are many things. Yes, they were intended to preserve an unbroken chain of tradition until Arrakis reverted back to desert, which they did to at least some extent. And as A Thing of Eternity said, they were also intended to shock the reader with how far something can decay over many generations of time. I remember feeling disdain and disgust for them, and that scene when Duncan straight up laughs in Garun's face (because his crysknife was fake) really stuck to me for some reason. They also illustrate the suk/market mentality, commercializing what were once sacred traditions, kind of like the money-changers driven out of the temple by Jesus in the New Testament. If you check my sig, I made a meta-comment on this and how it relates to the Dune franchise as a whole.
More importantly, they tie into the importance of environment and its constraints, which is a recurring theme throughout Dune. The Sardaukar are declining in Dune 1, but they're still some of the baddest fighters in the Imperium (enough for the Fremen to respect them), because their training ground, Salusa Secundus, is a ruthless environment. The Fremen surpass them because life on Arrakis is an even greater crucible than the Emperor's prison planet. And when Paul-Muad'dib comes to power, he undercuts the emperor by taming and transforming Salusa Secundus, knowing this would destroy the Sardaukar, just as the Fremen were eventually destroyed by the terraforming of Arrakis. Perhaps the Sardaukar also ended up as pathetic LARPers, this isn't shown, but it's very plausible.
Most importantly of all, the Museum Fremen are a commentary on mortality, and how sometimes it's better for things to end. Death is a difficult concept to grapple with, and we often want to keep things alive as long as possible, but Dune warns us that death is preferable to living on as a zombie. The Fremen are a bit like the Simpsons: amazing in its time, but now it's undead and you would rather it just ended. Or as Freakzilla aptly put it:
also, as for the GEoD quote about "wildly abandoned" dances, I always assumed that involved moshing, headbanging and the like.
More importantly, they tie into the importance of environment and its constraints, which is a recurring theme throughout Dune. The Sardaukar are declining in Dune 1, but they're still some of the baddest fighters in the Imperium (enough for the Fremen to respect them), because their training ground, Salusa Secundus, is a ruthless environment. The Fremen surpass them because life on Arrakis is an even greater crucible than the Emperor's prison planet. And when Paul-Muad'dib comes to power, he undercuts the emperor by taming and transforming Salusa Secundus, knowing this would destroy the Sardaukar, just as the Fremen were eventually destroyed by the terraforming of Arrakis. Perhaps the Sardaukar also ended up as pathetic LARPers, this isn't shown, but it's very plausible.
Most importantly of all, the Museum Fremen are a commentary on mortality, and how sometimes it's better for things to end. Death is a difficult concept to grapple with, and we often want to keep things alive as long as possible, but Dune warns us that death is preferable to living on as a zombie. The Fremen are a bit like the Simpsons: amazing in its time, but now it's undead and you would rather it just ended. Or as Freakzilla aptly put it:
Also relevant to Muad'dib's degeneration into the Prophet.Freakzilla wrote: ↑03 Sep 2011 13:54 FHs heroes don't ride off into the sunset, they die a slow, lingering, painful death, kicking and scream the whole time until you just wish they would hurry up and get it over with.
also, as for the GEoD quote about "wildly abandoned" dances, I always assumed that involved moshing, headbanging and the like.
Fremen : Museum Fremen :: Frank : Brian & Kevin
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Re: Why Museum Fremen
Have you read Heritics of Dune and Chapterhouse: Dune? Siaynoq
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Re: Why Museum Fremen
Of course I have. Are you suggesting that I missed something? Maybe something to do with the Honored Matres and their sexual imprinting..? "Wildly abandoned" doesn't necessarily mean an orgy, although you could interpret it that way.
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Re: Why Museum Fremen
I believe 'wild abandon' may relate to the dances on Rakis in Heretics, and especially Sheeana's movements that attract and control the worms.xcalibur wrote: ↑09 Feb 2023 09:52Of course I have. Are you suggesting that I missed something? Maybe something to do with the Honored Matres and their sexual imprinting..? "Wildly abandoned" doesn't necessarily mean an orgy, although you could interpret it that way.
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Re: Why Museum Fremen
ohh, right! I should've made that connection. It's been too long since my last full read-through, and I mostly dip back into the first book and God Emperor.georgiedenbro wrote: ↑09 Feb 2023 10:38I believe 'wild abandon' may relate to the dances on Rakis in Heretics, and especially Sheeana's movements that attract and control the worms.xcalibur wrote: ↑09 Feb 2023 09:52Of course I have. Are you suggesting that I missed something? Maybe something to do with the Honored Matres and their sexual imprinting..? "Wildly abandoned" doesn't necessarily mean an orgy, although you could interpret it that way.
Fremen : Museum Fremen :: Frank : Brian & Kevin
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Re: Why Museum Fremen
i was so young when i read dune the first time
i was so young when i finished the series
i took hertics with me on a river rafting trip as a teen
chapterhouse hadnt dropped yet
camping on the rivers sandbank
that big softcover in the bag id dump out each evening
i would squint and kinda be there
apart if something good
something substantial...
ive read the series over and over
god emperor a number of times for every once i read the others
i listen and smile as my friends complain about getting old
as if they cant appreciate getting smarter all the while
and now im closing in on franks age
its been a decade since i cracked one of the books
im afraid to
dont want ever see through it, them
something unimaginable as a younger man
and yet, im drawn to look again
smell the flint
see the skys bright with no blue
it wouldnt suprise me that he has left messages there for me at my age
i suspect they are there and i wont like them...
when i do look i will tell you what i find
sincerely
to trepidatious to look
for now...
i was so young when i finished the series
i took hertics with me on a river rafting trip as a teen
chapterhouse hadnt dropped yet
camping on the rivers sandbank
that big softcover in the bag id dump out each evening
i would squint and kinda be there
apart if something good
something substantial...
ive read the series over and over
god emperor a number of times for every once i read the others
i listen and smile as my friends complain about getting old
as if they cant appreciate getting smarter all the while
and now im closing in on franks age
its been a decade since i cracked one of the books
im afraid to
dont want ever see through it, them
something unimaginable as a younger man
and yet, im drawn to look again
smell the flint
see the skys bright with no blue
it wouldnt suprise me that he has left messages there for me at my age
i suspect they are there and i wont like them...
when i do look i will tell you what i find
sincerely
to trepidatious to look
for now...
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Re: Why Museum Fremen
certainly in some way
and yet im quite unfastened from my humanity
future bent
which requires holding both in the present
cant think of a good word for that.
can you?
and yet im quite unfastened from my humanity
future bent
which requires holding both in the present
cant think of a good word for that.
can you?
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Re: Why Museum Fremen
Reading God Emperor, just read the Museum Fremen chapter. When I was a kid I visited India, spent time near Mumbai. Perfectly describes what it was like to visit a village in the countryside, especially the begging children. Another example are American Indian reservations. Doesn't matter how great a peoples' past when they are afflicted with poverty and oppression it turns them into something outwardly repellant to people who have never experienced it. This is one of Leto's 'lessons'. Yet by keeping the traditions on life support there's hope that after his death, when Dune returns to desert, the patterns of the past will be re-awoken.